![]() Port of Miami was met with generally favorable reviews from music critics. It was later certified Platinum by the RIAA In July 2016.Ĭritical reception Professional ratings Review scores According to Soundscan, the album has sold 857,000 copies to date. Port of Miami was certified gold by the Recording Industry Association of America on November 8, 2006, with over 500,000 copies. This track samples the song "Push It to the Limit" from the movie Scarface. The album's second single, " Push It", produced by J. The remix version features Jay-Z and Young Jeezy. The album's first single, " Hustlin' ", received an exorbitant amount of airplay. The album debuted at number one on the US Billboard 200, with 187,000 copies sold in its first week. The album was engineered by Miami-based songwriting and production team The Monsters & The Strangerz. The album was released August 8, 2006, on Slip-n-Slide Records, Def Jam Recordings and Poe Boy Entertainment. Originally titled Career Criminal, the album was renamed, in reference to Miami being a major arrival destination for cocaine shipments to America. The place erupted with emotion with lines like “Whole clique appetite had tapeworms/Spinning Teddy Pendergrass vinyl as my J burns/I shed a tear before the night’s over.Port of Miami is the debut studio album by American rapper Rick Ross. ![]() With that, the 43-year-old delivered his masterful verse from Kanye West’s “Devil in a New Dress.” The Young OG entertained the Gramercy with hits like “Breathe” and “Cuffin Season” before closing his set with his verse from Meek Mill’s “Uptown.”Īs the night grew to a close, Ross decided to remind fans that it’s totally fine for hustlers to shed tears. Ross proceeded the show with his get-money classics like “I’m Not a Star,” where when he rapped: “Nine for the slice, dummy that’s a Dan Marino/Talking quarterbacks, meaning talking quarter kilos,” concert-goers enthusiasm seemed to max-out as they rapped with words with Ross.Īfter performing a list of favorites like “Aston Martin Music” and “Hustlin’,” the Box Chevy anthem that set the rapper’s career in motion, and “Where My Money (I Need That),” Rozay surprised New Yorkers by inviting Brooklyn native Fabolous onstage. Less than two minutes into the start of Rozay’s set, The L.O.X.’s Styles P surprised the crowd by appearing onstage to deliver his verse from “B.M.F,” which was followed by ”Good Times (I Get High).” Surprises continued when Jadakiss appeared on stage to help his partner-in-rhyme run through their classic, “We Gonna Make It.” The motivational concert commenced with the words: “I think I’m Big Meech, Larry Hoover,” here Ross is claiming his declaration to be financially independent-probably his No. Lex Luger’s “B.M.F.” instrumental blasted from the speakers for what seemed like minutes before the Dade County native dived into his verses. With marijuana smoke clouding the venue, liquor relaxing some concert-goers, and the clock inching toward 9:15 p.m., Rozay slowly walked toward the center of the stage-indirectly egging on the standing ovation by confidently nodding his head. Gunplay, who was actually born in the Bronx, nimbly bounced across the stage like a point-guard maneuvering through defense closed out his set with his under-the-radar street classics “Blood on the Dope,” “Bible on the Dash,” and his verse from Waka Flacka’s “Rolling.” ![]() Rocking a black Dickies outfit, the Triple C member, who has been vocal about his cocaine addiction, stormed the stage with coke-like energy while mouthing lyrics to his sobering verse from “The Great Americans,” a song from MMG’s Self Made, Vol. But before Rozay graced the stage at the Gramercy Theatre, MMG’s baby boomer Yowda entertained the crowd for a brief set before passing the mic to lifelong MMG soldier Gunplay. ![]()
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